| Time / Room | A-126 | A 022 | A-122 | S 003 |
|---|---|---|---|---|
| Panel 03: Musicology in the Age of Post-Truth (S3) Chair: Britta Sweers | Paper Session 05 Chair: Cristina Urchueguía | Paper Session 06 Chair: María Cáceres-Piñuel | ||
| 9.00–9.30 | Wolfgang Marx Musicology between Relativism and Neo-Positivism (S3.1) | Burkhard Meischein Das Verhältnis zwischen Musiktheorie und Musikwissenschaft im Vergleich: Wandlungen im Gegenstandsverständnis des Faches in der DDR und der Bundesrepublik (P14) | Alexander Wilfing Reframing the Beginnings of Academic Musicology (P17) | |
| 9.30–10.00 | Ewa Schreiber Modernist Composers’ Narratives and the Concept of Truth (S3.2) | Meredith Nicoll Performing the GDR: Songs of a Budding Dictatorship, Musicological Challenges and Opportunities (P15) | Malik Sharif «The Viennese School of Comparative-Systematic Musicology»: On the Construction, Function, and Discursive Career of a Narrative in the Historiography of Austrian Musicology (P18) | |
| 10.00–10.30 | Peter Tregear Telling Tales in Musicology (S3.3) | Max Erwin Telling Tales at Darmstadt. New Music and New Narratives in Post-War Germany (P16) | Martin Pensa Ein kritischer Blick auf Hans Heinrich Eggebrechts Mahler-Buch (P19) | |
| Coffee Break | Kaffeepause | Coffee Break | Kaffeepause | Coffee Break |
| 11.00–12.30 | Keynote 4: Lunch Lecture | |||
| Mittagspause | Lunch Break | Mittagspause | Lunch Break | Mittagspause |
| Panel 04: Telling Music. Western Musicology and Its Literary Genres (S4) Chair: Luis Velasco-Pufleau | Paper Session 07 Chair: Caiti Hauck-Silva | Paper Session 08 Chair: Anja Brunner | ||
| 14.30–15.00 | Paolo Gozza Histories of Music (S4.1) | Vera Wolkowicz Latin American musicology: A Euro-(North)American Invention (P20) | Olga Manulkina Revising the History of Soviet Musicology (P23) | |
| 15.00–15.30 | Maria Semi Music Dictionaries (S4.2) | María Cáceres-Piñuel Unofficial Musicological Transfers and Exchanges between Spain and the Americas during the Cold War (P21) | Valentina Sandu-Dediu Writing and Re-Writing Music Histories: Mentality Changes in Romanian Musicology (P24) | |
| 15.30–16.00 | Francesco Finocchiaro Print Journalism as a Source for Film Music Historiography (S4.3) | Tina Frühauf Shifting the Map of Musicology: Émigrés in Latin America, 1930–1960 (P22) | Patrick Becker-Naydenov «Historiographisches Schöpfertum»: Strategien bulgarischer Musikgeschichtsschreibung zwischen Nationalismus und Sozialismus (P25) | |
| Coffee Break | Kaffeepause | Coffee Break | Kaffeepause | Coffee Break |
| 16.30–17.00 | Rim Jasmin Irscheid Uncomfortable Sounds: Arabic Experimentalism and the New Generation of (Post-)World Music Productions (P29) | |||
| 17.00–17.30 | Eduardo Sato Transnational Musicology in World War II Brazil: Mário de Andrade, Luiz Heitor Corrêa de Azevedo, and U.S. Good Neighbor Policy (P27) |
Narrating Musicology 